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c. 1445 – May 17, 1510. Italian painter.

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Edward lamson Henry
The Cathedral of Piacenza

ID: 70994

Edward lamson Henry The Cathedral of Piacenza
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Edward lamson Henry The Cathedral of Piacenza


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Edward lamson Henry

A popular and prolific genre artists at the end of the 19th century American , 181-1919 American painter. He received his first art instruction in New York from Walter M. Oddie (1808-65), followed by two years at the Pennsylvania Academy of the Fine Arts, Philadelphia (1858-60). After this he left for a two-year stay abroad, studying with Paul Weber (1823-1916), Charles Gleyre and Courbet. In 1864 he served as a captain's clerk on a boat taking supplies to the Union army. Two notable pictures that emerged from this experience were City Point, Virginia, Headquarters of General Grant (1865-72; Andover, MA, Phillips Acad., Addison Gal. A.) and Westover Mansion (1869; Washington, DC, Corcoran Gal. A.). He soon won recognition and was elected to the National Academy by 1869. Many of his paintings were sold before exhibition,   Related Paintings of Edward lamson Henry :. | Cathedral of Piacenza | City Point.Headquarters of General Grant | Cathedral of Piacenza | Can They Go Too | The Cathedral of Piacenza |
Related Artists:
Germain-Fabius Brest
French, 1823-1900
Alessandro Botticelli
Florence ca.1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d'Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli's reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm;
Karin Bergoo
painted Stilleben med frukter och krus in 1877






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